Written by Matt Giles
By now we’ve all heard - either from friends, family members or yes, even critics - that the new film 21 Jump Street is much funnier than anyone expected it to be. As if that wasn’t enough, it’s a modern day comedy that actually works. I was never a fan of the original series simply because I had not heard about it until well after Johnny Depp had been established as a credible actor. The premise of the original series was simple enough: young looking undercover police officers were sent to high school posing as students to investigate drug trafficking abuse. The new film follows that same basic concept, albeit with a more self-reflexive comical take.
Edited by Erin Accomando
By now we’ve all heard - either from friends, family members or yes, even critics - that the new film 21 Jump Street is much funnier than anyone expected it to be. As if that wasn’t enough, it’s a modern day comedy that actually works. I was never a fan of the original series simply because I had not heard about it until well after Johnny Depp had been established as a credible actor. The premise of the original series was simple enough: young looking undercover police officers were sent to high school posing as students to investigate drug trafficking abuse. The new film follows that same basic concept, albeit with a more self-reflexive comical take.
We’re introduced in 2005 to Schmidt and Jenko, two high
school students who could not be more different. Schmidt (Jonah Hill) is the
Eminem-looking, brace-wearing nerd who cannot seem to find the courage to ask
the woman he has a crush on to prom. Jenko (Channing Tatum) is the dimwitted
jock whose grades are so low that he’s prevented from attending prom. The film
then cuts to present day where both Schmidt and Jenko are in the police
academy; Schmidt acing all of the written exams and failing all of the physical
ones, and Jenko the exact opposite. The two become friends and help each other
out, graduating shortly thereafter. When they make their first arrest however,
they forget to read the drug dealer his Miranda Rights and he is released.
Schmidt and Jenko are then transferred to Jump Street, where they are given
their undercover assignment to infiltrate their local high school and find the
dealer and supplier of a new synthetic drug that is causing students’ deaths.
Sounds hilarious, right? Well, it is.
This comical approach to the original series works on a
variety of levels; the first of which is that the film continues to make fun of
the fact that it is remaking and continuing an old story that didn’t really
work in the first place. Lets be honest, in most films the actors playing the
part of teenagers never really look like teenagers. Channing Tatum and Jonah
Hill really don’t really look like teenagers and the film points that out in
virtually every scene. Additionally, it’s very much a fish-out-of-water tale,
in that Schmidt and Jenko cannot even remember their cover stories, which leads
to a mix-up of who’s who. Jenko is thus given all of the advanced classes
including AP Chemistry and Schmidt is given the physical education and drama
classes. It is at this point that we begin to see the true charm of the film.
Most of us have always longed for the opportunity to relive our high school
days as the popular kid. We want that recognition - that notoriety that we were
cool and just didn’t know it. Maybe I’m wrong. Maybe no one feels that way. Whether
you were the popular kid or the nerdy kid like I was, you are nevertheless
emotionally involved in Schmidt’s rise to popularity. You cannot help but cheer
him on. He lands the lead part of Peter Pan in the school play, meets and falls
in love with Molly (played by the delightful Brie Larson), a student in his
drama class that happens to be playing the part of Wendy. He then makes it in
with the “cool kids”, the leader of which, Eric (Dave Franco) happens to be the
drug dealer they’re looking for.
The comedy, I would argue, really comes out of Jenko’s
story. Jenko, not knowing anything about chemistry at all, is forced to study
with the “nerdy” kids and is really out of his element for most of the film.
Everything he knew from his 2005 senior year in high school has been thrown out
of the window. Every time he tries to do something “cool” it only makes him
come across as more desperate and. I have long been a proponent of Channing
Tatum. There are roles that he is quite good in and roles that I wish he could
have removed from his resume (The Vow,
anyone? Bueller?). Tatum displays (and always has in my opinion) a true sense
of comedic timing. He knows he looks like a semi intelligent jock and is not
afraid to make fun of himself. His reactions to his partner, his attempts at
being cool and his overall likeability display such true comedy. Make no
mistake; Tatum has the acting chops necessary to pull of a film like this.
The other element to this film is the drug humor. For the
most part, in recent years, this has been something that is over done and, for
my money, ineffective. Like almost everything else in this film, it works, too.
There are actual hyper-stylized title cards that explain each of the various
stages of the drug’s effects, exemplified of course by Schmidt and Jenko when
they are forced to try some to make sure they’re (wait for it) “cool”.
By not taking itself seriously, the film achieves what so many
before it have failed to do. It’s established itself as a good buddy-cop film
with a modern day take on a less-than-compelling story. It’s only pitfall is
toward the end when, after poking fun at the fact that these two thought the
job would have a lot more explosions, there are a lot more explosions. It
becomes action movie cliché to a point, before finally ending on the hint of a
sequel note.
Whoever you were or wanted to be in high school, 21 Jump Street has something for
everyone, especially, but not limited to, a nerdy guy like me.
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